shivver: (Ten right)
[personal profile] shivver
The crewmembers stared, glassy-eyed, as the Doctor blathered on, striding back and forth across the bridge to point at this display or inspect that device. With a sigh, Donna crossed her arms and leant back against the doorframe.

The Doctor stopped cold in mid-sentence. "We-e-ell," he drawled as he eyed her, then spun. "Another time, I think. Right now, to the engine room. Morax, Ileth, with me," he called as he beckoned them with a hand. "The rest of you, stay here. Don't move a toe, not even into the corridor. That means you, Donna." He dashed out, the two engineers sprinting after him.

Once ten seconds of silence convinced everyone he'd gone, Jarn breathed a sigh of relief. "I didn't think he'd ever stop!"

"Yeah." Donna shrugged. "It took a bit, but he finally got the hint."

"What did you do?"

"This." Donna crossed her arms again, but this time, she pointedly wiggled her fingers against her upper arm. "It's a signal we worked out. It means, 'If you don't shut your gob right now, I'm going to slap you silly first chance I get.' Didn't work the first time I used it, but it took a week for the red to fade, so he's a bit more responsive now.

Jarn grinned. "Nice system. So, is it okay if we head back down to the canteen then?"

"No. The trick is to figure out which of his words are important. All those insults and that babble about electrofields and such? That's all nonsense. But he says, 'Stay here'? He's got something in mind." She plopped herself into the chair behind the navigation console. "So we stay here until we can't."
shivver: (musicspheres)
[personal profile] shivver
Write a scene where one character must communicate something to another without anyone else knowing. In specific:

  • There should be at least one other character present (though you only need to make it clear that someone else is there to possibly intercept the message; they don't have to actually do or say anything in your scene).
  • The narrator should be neutral, not in the head of either character. The scene is about how they communicate, not about one of them thinking, "How am I going to let that person know?" "Will they understand what I really mean?" or "Well, that was weird, I wonder what she meant?"
  • You only need to let the reader know that the communication was sent and/or received. The reader doesn't need to know what the message actually was.


There are lots of different ways to do this. You could have one of them say something in an odd way that tips off the receiver that words that were chosen have a different meaning. In a Stargate episode I just watched, one character was bidding another farewell and grasped her hands like he was shaking them and passed a note to her secretly. It could simply be a wink, letting the receiver know it's time to execute his part of the plan. You could even do a scene of someone sneaking past a guard into a computer room to send off an email.

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